La Risonanza Early Music Summer Academy

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FABIO BONIZZONI, one of the leading Italian harpsichordists and organists of his generation, graduated in organ, organ composition and harpsichord at the Royal Conservatorium in The Hague in Ton Koopman’s class.

After having played for several years with some of the most important orchestras specializing in early music (Amsterdam Baroque, Le Concert des Nations, Europa Galante), from 2004 he exclusively devotes himself to his activities as soloist and director, in particular of his own orchestra La Risonanza.

Furthermore, he is harpsichord professor at the Royal Conservatory of The Hague (Holland) and in Italy at the Conservatory of Novara; he is founder and president of the Associazione Hendel, a society devoted to the studies of Handel’s music in Italy.

As a soloist he has been recording for many years for the Spanish label Glossa. His discography includes works by Claudio Merulo, Giovanni Salvatore, Giovanni Picchi, Francesco Geminiani, Bernardo Storace, Domenico Scarlatti and Johann Sebastian Bach (Goldberg Variations and the Art of Fugue). His latest release is devoted to the two books of toccatas of Girolamo Frescobaldi.

In 2010 he has completed with La Risonanza the project of recording the complete Italian Cantatas with instruments by G.F. Handel: this project has been defined by Gramophone magazine as the most important of the decade, and 3 of the 7 CDs have been awarded the prestigious Handel Stanley Sadie Prize. The last disc of this seriesApollo e Dafne , won a Gramophone Award in 2011.

His activity is also enriched by commitments as guest conductor: in recent times he has been invited by Capella Cracoviensis and Wroclaw Baroque Orchestra in Poland, by the Holland Bach Society in The Netherlands and by the Orchestra Barroca de Sevilla. Furthermore, he has conducted the orchestra of Teatro alla Scala in Milan in a new ballet called L’altro Casanova.

Since 2014 he is artistic director of Note Etiche, a festival focusing on links between music, ethics and finance, and, from 2016 he and his orchestra enjoy an artistic residence at Palazzina Liberty in their hometown Milan.

ENRICO GATTI has dedicated himself to the XVII and XVIII century repertoire studying with Chiara Banchini in Geneva and Sigiswald Kuijken in The Hague. 

He has concertized extensively around all the world performing with La Petite Bande, Ensemble 415, Concerto Palatino, Hesperion XX, La Real Cámara, as leader of Les Arts Florissants, Les Talens Lyriques, The Taverner Players, The King’s Consort, Ricercar Consort, Bach Collegium Japan, Concerto Köln, ARTEK (New York), De Nederlandse Bachvereniging and “Les Muffatti” (Bruxelles), as well as with directors such as Gustav Leonhardt and Ton Koopman. He directs the Ensemble Aurora, which he founded in Italy in 1986. He has recorded for Harmonia Mundi (France and Germany), Accent and Ricercar (Belgium), Fonit Cetra, Tactus and Symphonia (Italy), Arcana and Astrée (France), Glossa (Spain) as well as recordings for many radio networks. He was assigned the first prize “Antonio Vivaldi” in 1993 and 1998, the “Preis der deutschen Schallplattenkritik”, and several times the “Diapason d’or”. 

Enrico Gatti is professor of historical violin at the Royal Conservatory of The Hague and at the Conservatorio “G.B. Martini” of Bologna and he is much in demand for giving masterclasses in many unversities and music schools. He has been a member or president of the jury in several early music competitions and artistic director of the Urbino Early Music Course. He is member of the Scientific Committee for the nationalcritical edition of the complete works of Alessandro Stradella and has been the President of the Scientific Committee for the international Symposium “Arcomelo 2013” in Fusignano which in november 2013 celebrated Arcangelo Corelli’s death tricentenary. He published several articles on early music performance practice as well as facsimile editions of Italian violin music, and more recently an essay on the history of diminution.

The Bolivian-born Japanese violinist and conductor, RYO TERAKADO, started to play violin at the age of 4. He won the 2nd prize in the All Japan Youth Musical Competition when he was 14 years old. He studied violin, chamber music and conducting at the Toho Gakuen School of Music. In 1983, he won the 3rd prize in the All Japan Music Competition. At the time when graduating Toho Gakuen, he was invited as a concertmaster of The Tokyo Philharmonic Orchestra, where he served for 2 years. Ryo Terakado’s interest in Baroque music already started before: When he was 19, he started to play Baroque violin by himself. Some years later, he founded a Baroque ensemble Concert Spirituel together with Masahiro Arita (flute), who influenced him a lot, and Hidemi Suzuki (cello). In 1985, he came to the Netherlands to study the Baroque violin at the Royal Conservatoire in The Hague under guidance of Sigiswald Kuijken. In 1989 He received a soloist diploma. Since 1987, Ryo Terakado played with many Baroque orchestras in Europe and Japan as a concertmaster: Les Arts Florissants, La Chapelle Royale, Collegium Vocale Gent, Tokyo Bach Mozart Orchestra etc. Presently he is the concertmaster of La Petite Bande and Bach Collegium Japan. He plays regularly concertos by i.e. J.S. Bach, Antonio Vivaldi, W.A. Mozart with the above-mentioned orchestras. Besides that he is also invited frequently to Italy, Poland, France and Australia as a soloist. In 1987 he founded the Tokyo Baroque Trio together with Christophe Rousset(harpsichord) and Kaori Uemura (viola da Gamba). Several tours were made in Japan, and many concerts in Europe. This group is now renewed with another harpsichordist: Siebe Henstra, and called Tokyo Baroque in order to expand the group. Since 1994, Ryo Terakado is one of the main artists in Hokutopia International Music Festival in Tokyo, where he debuted as a conductor. He has conducted operas by Monteverdi, Purcell, Rameau, Gluck, Haydn and W.A. Mozart, including Purcell’s Dido and Aeneas, Rameau’s Pigmarion, Rebel’s Les Elemens, etc. with collaboration of Natalie van Parijs (Baroque Dance) and Les Fragment Reunis, Jean-Philippe Corrigou (lighting) and Yoko Arimatu (Costume). He also conducted other concert performances: J.S. Bach’s Brandenburg Concertos (BWV 1046-1051), Purcell’s Fairy Queen, extract of Lully Operas, W.A. Mozart‘s Symphonies and extract of the opera Idomeneo, etc. In 1997, Orchestra of the Festival became Les Boreades which will be conducted by Ryo Terakado permanently. Ryo Terakado founded an ensemble & orchestra Nova Pratica in 1999 together with Susan Williams (trumpet), Stratton Bull (counter-tenor) and Fons van der Linden (harpsichord). It’s base is in Maastricht (Holland). He also founded the string quartet Mito dell’Arco which consists of Ryo Terakado, Dmitry Badiarov (violin), Yosiko Morita (viola), Hidemi Suzuki (cello). Debuted in Japan in September 1999. Besides other activities of solo, conducting, and chamber music, he also makes tours in Japan with The Kuijken Ensemble with Barthold, Wieland Kuijken and Robert Kohnen. From 1990 to 1992, Ryo Terakado had taught baroque violin at Paris Conservatory (CNSMP). Currently he teaches at the Hague Royal Conservatory (Holland) since 1991, and at the Toho Gakuen School of Music (Japan). His discography can be found in Ricercar (Belgium), Accent (Germany), BIS (Sweden), Denon (Japan) and Passacaille (Belgium).

Stegmann proved one of the stars of the afternoon, especially with her superb performance of Vivaldi’s Concerto in C for soprano recorder which brought an added enthusiastic ovation after its virtuosic first movement. - Daily Telegraph, January 2016

ANNA STEGMANN is a passionate performerand teacher of early and contemporary recorder music. She has toured throughout Europe, North America, Asia and Australia with her own chamber music groups Ensemble Odyssee and The Royal Wind Music, and as a guest soloist with The New Dutch Academy, La Risonanza and other ensembles.

During the 2019-20 performing calendar Anna will be heard in several notable venues and festivals across Europe such as the Thüringer Bachwochen, Musikfestspiele Potsdam and the Festival Oude Muziek Utrecht. In the past she has appeared as well as a chamber musician and as a soloist at the Sydney Festival, Forum Cultural Guanajuato Mexico, Concertgebouw Amsterdam, Boston Early Music Festival, Dallas Video Festival, Konzerthaus Berlin, Muziekgebouw aan 't Ij Amsterdam, Holland Festival, De Doelen Rotterdam, Musica Sacra Maastricht, Semana de Musica Religiosa de Cuenca, and others.

She is regularly invited to teach workshops and master classes throughout Europe, North America and Australia. In 2014 she joined the staff of the Royal Academy of Music in London where she teaches a recorder class alongside British recorder player Pamela Thorby. Since 2013 she is co-organising the Open Recorder Days Amsterdam (; a biennale which has quickly grown into one of the biggest recorder events worldwide and brings together recorder amateurs and professionals alike from across the globe.

Born in Münster (Germany), she lives in Amsterdam (The Netherlands) where studied with Paul Leenhouts at the Conservatorium van Amsterdam after finishing her studies with Winfried Michel at the Musikhochschule Münster and the Musikakademie Kassel.

“Natural communicator, intensely musical and alive to every harmonic glance or melodic inflection” ( “Plays with an exquisite sense of the passion and the ebb and flow of the music, utilizing an enormous range of dynamics and a sensitive use of articulation, ornamentation” (Andrew Benson Wilson).

Highly prized for her freedom in expression and exciting yet tasteful interpretations, one of the most distinctive personalities of the Polish early music scene, AGNIESZKA OSZANCA studied historical cellos in Utrecht Conservatoire under the guidance of Viola de Hoog.
Member of several orchestras and chamber music formations performing on historical instruments. She is a soloist and the principal cellist of Ensemble Stile Galante (IT/NL) and Ensemble Odyssee (NL), engaging in a musical exchange with the most accomplished and influential musicians of the European Early Music scene. She also occasionally collaborates with Fabio Bonizzoni`s La Risonanza and Capella Cracoviensis (PL). She subsequently appears as a soloist in sonata as well as concerto repertoire and Bach cello and forms duos with brilliant harpsichordists Patrycja Domagalska (PL) and Fabio Bonizzoni (IT).
Agnieszka has recorded for Decca, Sony, Glossa, Alpha, Pan Classics and Globe. Her first solo recording published last year by Challenge Records has been very warmly received by the critiques.
She plays on a copy of an Italian baroque cello made specially for her by Jan Bobak.
In her spare time, she gets lost in the mountains.

BETTINA PAHN - Soprano was born in Erfurt. She first studied cello and later focused on singing at the Hanns Eisler Music University in Berlin and with Professor Elsa Cavelti in Frankfurt. Since June 2012, Bettina Pahn works together with the renowned Dutch singing teacher Margreet Honig. Her moving lyric soprano voice quickly excited the interest of diverse conductors in the areas of Oratorium, early music and lieder. The German Soprano cooperates intensively with Ton Koopman in recordings and concerts. Together with him, she performs in the most important concert halls (the Carnegie Hall in New York and the Concertgebouw in Amsterdam...) and also in numerous of international festivals (the Göttingen Handel Festival and the Schleswig-Holstein Music Festival). She has recorded numerous of albums with Ton Koopman dedicated to the work Dieterich Buxtehude. The second album "Opera Omnia VII - Volume 3" received the German Echo Classic Award 2009. Additionally, Bettina Pahn has sung under the direction of Thomas Hengelbrock, Frieder Bernius, Pierre Cao, Peter Rundel, Christoph Schoener and Patrick Peire, among others. Bettina Pahn collaborates with Echo prize winner Joachim Held (Lutenist) and Tini Mathot (Harpsichord) since many years. In 2007 the duo Pahn/Held performed with great success at the "Göttinger Handel Festival", in 2008 at the "Schwetzinger Festival" and in 2009 at the "Schleswig-Holstein-Festival". As part of the "Handel Festival" in Halle (Germany), they gave a concert in 2011 with the ensemble Sarband. In autumn 2007 Hänssler Classic released their first collaborative CD of German folk songs and in summer 2009 a CD of German Christmas songs "Silent Night". In 2011 the duo performed at the renowned "Innsbrucker Early Music Festival" in Austria and in 2015 at the "Itineraire Baroque Festival" in France. Bettina pahn and Tini Mathot performed several times at the "Itinéraire Baroque Festival" in France and in 2013 they gave a very successful concert at the "Originalklang Freistadt Festival" in Austria. End of May 2016 the duo, together with Ton Koopman, performed songs by Telemann, Haydn, Mozart, Rust und Zelter at the Esterhazy Castle in Hungary. They recorded consecutively two albums for the label Naxos: "There was a King in Thule" (Zelter, Reichardt, Schulz and Rust) in 2016 and "Wo fliehst du hin aus meinem Herzen" (Carl Philipp Emanuel Bach) in 2017. Both albums were conducted by Ton Koopman and received a great welcome by the international press. In October 2017 Bettina Pahn gave her first singing lesson in Admont (Austria) and in November she performed together with Christine Schornsheim (Fortepiano) at the "Bach Festival" in Hamburg (Germany). In 2018 the Soprano sang at the "Bach Biennale" in Weimar (Germany) and in 2019 she will perform at the Instrument Museum of Berlin, the "Itineraire Baroque Perigord" in France and in Brunnthal (Germany) for an Early Music concert series. Since 2017 Bettina Pahn teaches "Early Music Singing" at the University of Music in Bremen (Germany). In spring 2018 she gave a Masterclass at the Royal Conservatory of The Hague and in autumn 2018 a second singing lesson in Admont (Austria). Bettina Pahn, Soprano 2/2 In Summer 2019 the Soprano will give an Early Music singing lesson in Bertinoro (Italy) and in Autumn she received an invitation for the "Admonter Lautenherbst" in Austria. In 2019 Bettina Pahn will record a new album called "Moralischen Kantaten - Telemann" for the Label Hänssler classic and in 2019/2020 she scheduled to record a second one "Johann Friedrich Reichardt Songs" for the Label Naxos. 

Evangelina Mascardi is considered one of the most prominent lute players on the international scene.

Born in Buenos Aires in 1977, she graduated in classical guitar and started her concert career as a highly gifted young soloist.
In 1997 she moved to Europe to study with Hopkinson Smith at the Schola Cantorum Basiliensis (Basel, Switzerland), where she obtained herSolisten Diplom” in 2001.

During the last decade she collaborated regularly as a continuo-player with Jordi Savall (Hespèrion XXI), Marc Minkowsky (Les Musiciens du Louvre), Andrea Marcon (Venice Baroque Orchestra), Giovanni Antonini (Giardino Armonico), Chiara Banchini (415), Simon Rattle (Berliner Philarmoniker). With them and other ensembles she took part in more than 30 recordings.
Nowadays, she confines her collaboration to Ensemble Zefiro (Alfredo Bernardini) and Monteverdi Choir (Sir John Elliot Gardiner), in order to mainly focus on solo lute repertoire.

Constantly praised by critics, she has performed recitals in a number of early music festivals such as Fringe (Barcellona), Concentus (Brno), Resonanzen (Vienna), Luth et Theorbe (Genêve), Early Music Festival (London), Musica Antigua Festival (Daroca), Forum Musicum (Breslau), and guitar festivals in Madrid, Treviso, Santander, Castell’Arquato, Pordenone and Novara.

Evangelina has four solo albums to her credit, two devoted to Johann Sebastian Bach and Sylvius Leopold Weiss (ORF-Alte Musik, Austria 2003 and 2009), one to refined and original theorbo solos by the Modena-born Bellerofonte Castaldi (Arcana 2011) and the latest recently devoted to the Belgian lutenist and composer Laurent de Saint-Luc (Musique en Wallonie 2018).

Evangelina teaches Lute at the ISSM ”Conservatorio A. Vivaldi" in Alessandria (Italy).

JOACHIM HELD is one of the foremost lute players of his generation. He captivates his audience with the refinement of his playing and moves the listener with expressing the different moods of the soul. In 2006 Joachim Held is the first lute player ever to receive the renowned German Echo - Klassik Award. This is in the category "Best soloist recording of the year" for his CD "Delightful Lute - Pleasure. Baroque Lute music from the lands of the Habsburgs", released by Hänssler Classic.

Joachim Held was born in Hamburg in 1963 and studied at the Schola Cantorum Basiliensis as a student of Eugen Dombois and Hopkinson Smith. Following the graduation with a "Diploma of Period Music" in 1988 he completed his studies under Jürgen Hübscher at the Musikhochschule Karlsruhe with a "Künstlerische Abschlussprüfung".

In 1990 the second prize at the Concours Musica Antiqua of the Flandern Festival in Brügge marked the beginning of his international concert career. Since 1992 he has regularly appeared with world famous orchestras including Il Giardino Armonico (amongst others on their Vivaldi recording with Cecialia Bartoli for Decca), the Freiburger Barockorchester, the Concentus Musicus and the Berlin Philharmonic Orchestra. Amongst the conductors he has worked are Giovanni Antonini, Claudio Abbado and Nikolaus Harnoncourt. Under Harnoncourt he also participated in the production of Herny Purcell's "King Arthur" at the Salzburg Festival 2004. As a soloist Joachim Held appeared amongst others at the Musikfestival Potsdam-Sanssouci, the International Bach Festival Schaffhausen, the Schwetzinger Festival, the Düsseldorfer Bachtagen, the Bachtage Köthen, the Concerti a San Maurizio in Milan, the Early Music Forum Budapest, the concert series "Hausmusik" of the ORF Vienna, the Lute Society London, the Güldenen Herbst" in Thüringen and the Handel Festival in Halle at the river Saale.

Joachim Held's recordings show a lute player who combines technical perfection with an extraordinary power of imagination. "He deploys those distinctive stylistic traits that are the lifeblood of this music with the utmost taste" (American International Record Review, April 2006). In 1996 his first Solo-CD, "I grandi liutisti milanesi del Cinquecento", was released on the Symphonia label. His second CD with german works of the first part of the sixteenth century was released by the ORF Vienna in 2004. Here the artist gives life to an almost forgotten repertoire which is full of wonderful masterpieces.

Since 2005 Joachim Held's recordings are released world-wide by Hänssler Classic. The same year the CD "Lute Music of the Renaissance - The Schele Manuskript Hamburg 1619" was co-produced with the Swiss Radio DRS2.

In June 2006, his discographical journey to the most beautiful lute compositons continued to Germany. "German lute music of the Baroque" and with “Delightful Lute pleasure” to the Hbsburg Empire. In 2007 Italy ("Che Soávita") and in 2008 France ("Musique pour le Roi") was reached. In 2010 England ("Merry Melancholy") was the theme. In 2013 he released a CD with Lute works by Johann Sebastian Bach, again for Hänssler classic. In 2017 his new CD with works by Silvius Leopold Weiss is released.

Joachim Held is Professor at the Royal Conservatory of The Hague and at the University of Arts in Bremen.

Founded by Fabio Bonizzoni in 1995 as a vocal and instrumental group, LA RISONANZA is now a chamber orchestra on period instruments. It has a flexible instrumentation depending upon the repertoire performed and it occasionally collaborates with guest choirs for performances of larger works. The ensemble particularly focuses its attention on Italian style music composed between the end of the 17th and the first half of the 18th Century.

La Risonanza’s recording career started in 1996 with a CD completely devoted to Girolamo Frescobaldi. Subsequently it produced CDs with the “Missa Non sine quare” of Johann Caspar Kerll (awarded “CHOC” by Le Monde de la Musique), Barbara Strozzi and Luigi Rossi cantatas, Giuseppe Sammartini, Michel Corrette and Franz Joseph Haydn organ concertos.

Since 2002 La Risonanza has been recording for the Spanish label Glossa, and with that label it completed the recording of all Handel’s Italian cantatas with instruments in 2009. The first CD devoted to this project and dedicated to the “Cantate per il Cardinal Pamphili” was awarded the “Stanley Sadie Handel Recording Prize 2007”, an international award for the best Handel recording of the year. The 5 th volume, “Clori, Tirsi e Fileno”, and the 7 th volume, “Apollo e Dafne”, were also awarded this same prize in 2010 and 2011. “Apollo e Dafne” also won the prestigious Gramophone Award 2011. In October 2016 La Risonanza released the CD “Dido and Aeneas” as a fruit of the new collaboration with the Amsterdam based label Challenge Classics.

The group regularly performs in all major European venues and festivals, including Festival of Utrecht and Amsterdam’s Muziekgebouw, Festival of Cuenca and Madrid’s Auditorio, Händel Festspiele Halle, Concertgebouw Brugge, Società del Quartetto of Milan and MITO, Accademia di Santa Cecilia in Rome and GOG Society in Genoa. La Risonanza is “Orchestra in residence” at the festival of Saint Michel en Thiérache and, since 2016, at the Palazzina Liberty of Milan. La Risonanza is supported in France by the Conseil général de Aisne and the Ministry of Culture and Communication and, in Italy, by the City of Milan. It has also frequently received funds from Fondazione Cariplo.